The Ink Feather Collective

The Ink Feather Collective


SDCC14: Best-selling fantasy authors talk “End of a series … or not?”

L to R: Hart, Flewelling, Grossman, Taylor, Mayberry, Winters, Cole, and Bardugo
L to R: Hart, Flewelling, Grossman, Taylor, Mayberry, Winters, Cole, and Bardugo

One of the panels I was most looking forward to at San Diego Comic Con this year was the one titled “End of a Series … or not?” Moderated by Maryelizabeth Hart from Mysterious Galaxy book store the panel consisted of Lynn Flewelling (Nightrunner series), Lev Grossman (The Magicians series), Laini Taylor (The Daughter of Smoke & Bone trilogy), Jon Maberry (the Rot and Ruinseries), Ben Winters (The Last Policeman Trilogy), Kresley Cole (Immortals After Dark Series), and Leigh Bardugo (The Grisha Trilogy).

The first question up: what decides if a series is finite or not- is that pre-planned? Do you destroy the world or leave the story open-ended? Lynn started us off, saying she has a seven book series and one that’s three. She said it’s painful to end a series. Her big series books are more episody vs main overall arcs. But her gut told her it was time. Lev said that stories have structures. He wanted to write about magicians after their education, the unknown parts. For example, what is magic for if no one is threatening the world? Once his characters figured that out, he stopped.

Laini spent five years planning, out of fear, vs. spontaneous writing. But even half way through book two she had no idea about the end. Some things are still open, she said, but she wanted to finish the main story arc. For Jon the ending point was about character growth. He wanted to tell the story until he liked the main character (who started out the opposite). It took him four books for that to happen. Ben got a laugh, because part of his series is about an asteroid colliding with the earth, so he knew it was a trilogy and where it ended—anything past that would have been BS, so he had to stop. Still, he needed to keep the character doing work.

LMZ_8687wKresley has a fifteen book series that isn’t done yet, which has had a continuously pending apocalypse (Leigh’s disgruntlement over this got a lot of laughs). She had the beginning and the end plotted out, but the stuff in the middle she said she’ll keep going with until people don’t want to keep reading. Leigh likes shorter series; she could have gone longer, but decided three was enough. Sometimes limits make things hard, however, because you have to work within those parameters (she wants a sky fortress and a secret island).

The next question was about sustainability. What keeps readers engaged? Leigh said that authors have two choices for character: a character that has everything and you take from them, or they have nothing and you take more. Also, story is always king over world building. Kresley likes to introduce secondary characters like a villain or godmother and switch up expectations. In Ben’s first book in the series the character was young in a lot of ways and had to grow up. What makes people stick is that the characters are still growing. Jon mentioned how we always enter a story with a limited world view. For example, his main character in the Rot and Ruin books is angry all the time, and why he’s mad is part of his limited world view. But once exposed to a larger world view it changed his life. World view isn’t entirely the character’s fault, but as there’s more exposure the view adjusts. Laini said she likes a tight narrative where certain questions are answered. Also, if the writing is beautiful, the reader wants to sink into it.

Lev wrote The Magicians as a stand-alone, because he wasn’t convinced it would be published. But he had to send his characters back into that world. He wanted to know what happened next. Lynn said she also wrote a stand-alone that became two books, and then her editor asked her if she wanted it to be more. She invested so much, and there was more to tell. She writes for herself, as writing is hard, so she needs to love it.

The floor was opened up after this, and some of the questions were about legit cliffhangers (needs not to be done like a cheap-shot, but can be done) and prequels (hard sometimes if the ending is already known). The panel was funny and engaged, and the audience asked great thought-provoking questions that spurred interesting discussion.

I’m so glad I made it to this panel. I thoroughly enjoyed seeing all the different angles the authors came from regarding series, and though there is no one right way it was wonderful to get some insight into what helps make a series successful.


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